|
Design 2024
宜兴陶瓷艺术设计的发展与实践
|
Abstract:
本文聚焦于宜兴陶瓷文化在艺术设计领域的实践与发展,旨在深入探讨这一历史悠久、底蕴深厚的传统工艺如何在现代艺术设计的推动下焕发新的生机。宜兴陶瓷以其多姿多彩的艺术表现手法和独特的韵味,从不同角度揭示了其发展历程。文章通过详细分析紫砂、青瓷、均陶、精陶、美彩陶等多个方面的艺术设计实践,全面剖析了宜兴陶瓷在艺术设计中的独特魅力与卓越成就。本研究不仅有助于传承与弘扬宜兴陶瓷文化,更为推动其创新发展提供了有益的参考与借鉴。
This paper focuses on the practice and development of Yixing ceramic culture in the field of art and design, aiming to discuss in depth how this traditional craft with a long history and deep heritage can be revitalized under the impetus of modern art and design. Yixing ceramics with its colorful artistic expression and unique flavor, from different perspectives to reveal its development history. The article comprehensively analyzes the unique charm and outstanding achievements of Yixing ceramics in art design through a detailed analysis of the art design practice in many aspects, such as zisha, celadon, uniform ceramics, fine ceramics, and mei cai ceramics. This study not only helps to inherit and carry forward the culture of Yixing ceramics, but also provides a useful reference and reference for promoting its innovative development.
[1] | 邓举青. 宜兴精陶创新发展的对策探析[J]. 美与时代(城市版), 2018(1): 107-108. |
[2] | 相序, 高静云. 宜兴彩陶行走的历史[J]. 中国陶瓷工业, 2018, 25(6): 58-59. |
[3] | 沈天佑, 崔福群, 赵鸿声. 美陶设计与市场[J]. 河北陶瓷, 1988(2): 46. |
[4] | 周步芳. 宜兴均陶堆花工艺的研究现状与意义[J]. 陶瓷科学与艺术, 2020, 54(6): 87-88. |
[5] | 崔听槐. 走上英国女王餐桌的精陶餐具[J]. 景德镇陶瓷, 2012, 23(5): 29. |
[6] | 吴婧. 非物质文化遗产中传统手工艺的传承与创新——以宜兴紫砂为例[J]. 艺海, 2021(3): 103-104. |
[7] | 董岳鹏. 紫砂壶器与紫砂壶艺术[J]. 江苏陶瓷, 2019, 52(1): 12, 14. |
[8] | 闵荣彬. 守艺与手艺——浅析“僧帽壶”的美学价值[J]. 江苏陶瓷, 2021, 54(1): 26-27. |
[9] | 汪芯竹. 僧帽壶造型研究[D]: [硕士学位论文]. 景德镇: 景德镇陶瓷大学, 2019. |
[10] | 宜兴釉陶[J]. 江苏陶瓷, 2020, 53(6): 88. |
[11] | 余文园. 谈当代宜兴青瓷创作[J]. 陶瓷科学与艺术, 2019, 53(4): 23, 29. |
[12] | 黄兴南. 宜兴窑唐宋青瓷初探[J]. 江苏陶瓷, 2017, 50(S1): 32-37. |
[13] | 李健. 紫砂陶艺的现代转型及其启示[J]. 天中学刊, 2021, 36(1): 144-149. |