浅析杨争光小说中的听觉叙事
Analyzing the Auditory Narrative in Yang Zhengguang’s Novels

听觉叙事是杨争光小说创作的特点之一，其小说充分利用声音调动读者听觉。文章结合听觉叙事及声景学相关理论，对《棺材铺》《黑风景》以及《驴队来到奉先畤》三部小说中的听觉叙事策略、特点及效果进行分析：从技巧看，小说采用了“听声类形”、“先声夺人”、“闻声知情”等艺术手法，并在小说中构建音景辅助叙事；从效果而言，小说中的听觉叙事起到了营造氛围与张力、推动情节发展以及补充暗示等作用；通过听觉描写，杨争光不仅提升了文本的表现力，同时也暗示揭露了人性与农村“黑风景”的一面。
Auditory narrative is one of the characteristics of Yang Zhengguang’s novels, which makes full use of sound to mobilize readers’ sense of hearing. Combining the theory of auditory narrative and soundscape, the article analyzes the strategies, characteristics and effects of auditory narrative in The Coffin Shop, The Black Landscape and The Donkey Team Comes to Fengxianzhi. From the point of view of techniques, the novels adopt artistic techniques such as “listening to the sound to resemble the shape”, “preempting the sound” and “hearing the sound to know”. The novels also construct soundscapes to assist the narrative. From the point of view of effect, the auditory narrative in the novels plays a role in creating atmosphere and tension, promoting the development of the plot, and supplementing the role of hints. Through the auditory descriptions, Yang not only enhances the expressive power of the text, but also hints at the revelation of human nature and the “black landscape” of the countryside.