三化论视角下《唐诗三百首》中的意象翻译研究
A Study on Image Translation in 300 Tang Poems from the Perspective of Triple Transformations Theory

将唐诗英译有助于外国读者了解这一中国优秀传统文化，然而由于中文与英文语系不同，因此唐诗的英译尤为重要，尤其是唐诗中的意象再现成为唐诗翻译的关键。本文选择许渊冲的三化论，将从三化论的角度对许渊冲译版的《唐诗三百首》中出现的意象进行研究分析。本文首先将意象划分成自然意象和人文意象，并分析这些意象在抒情诗、边塞诗、送别诗三种不同类型古诗中的翻译。通过分析三化论在唐诗意象翻译中的应用进一步了解三化论，得出其不仅适用于诗歌的分析，还对诗歌的翻译具有重要的指导意义；除此以外，通过对唐诗意象翻译的研究，可以探索如何有效地将中国文化的独特魅力传递给外国读者，促进不同文化之间的理解和交流。
Translating Tang poetry into English can help foreign readers understand this excellent traditional Chinese culture. However, due to the different language families between Chinese and English, the English translation of Tang poetry is particularly important, especially the reproduction of imagery in Tang poetry, which becomes the key to Tang poetry translation. This article chooses Xu Yuanchong’s theory of triple transformations to study and analyze the imagery appearing in Xu Yuanchong’s translated version of “300 Tang Poems” from the perspective of the theory of triple transformations. This article first divides imagery into natural imagery and humanistic imagery, and analyzes the translation of these imagery in three different types of ancient poetry: lyric poetry, frontier poetry, and farewell poetry. By analyzing the application of the triple transformations theory in the translation of Tang poetry imagery, we can further understand the triple transformations theory and conclude that it is not only applicable to the analysis of poetry, but also has important guiding significance for the translation of poetry; In addition, by studying the translation of Tang poetry imagery, we can explore how to effectively convey the unique charm of Chinese culture to foreign readers and promote understanding and communication between different cultures.