贵州苗绣服饰纹样艺术研究
Research on the Art of Guizhou Miao Embroidery Costume Patterns

苗绣是中华优秀传统历史文化的重要载体，贵州苗族人口占全国近50%，文献显示目前贵州苗绣鲜少从民族艺术角度系统分析其服饰纹样，亟待深入挖掘贵州苗族的文化宝藏。笔者深入贵州山区进行实地素材采集，结合史馆资源对贵州苗绣艺术进行系统梳理，探根寻源，从艺术称谓和概念范畴两个角度归纳和理解苗绣的边界，探索其起源与地域分类。从基元分类、构成形式、设色规律和技艺针法四方面，对艺术形态做清晰的分类记录与规范表述，并从文化和美学视角，深入挖掘贵州苗绣艺术特征，为苗绣艺术的史料基础研究提供重要补充和研究范式。
Miao embroidery is an important carrier of China’s outstanding traditional history and culture, and the Miao population in Guizhou accounts for nearly 50% of the country. Literature shows that at present, few Miao embroideries in Guizhou have been systematically analysed from the perspective of national art in terms of their dress patterns, and there is an urgent need to dig deep into the cultural treasures of the Miao people in Guizhou. The author went deep into the mountainous areas of Guizhou to collect field materials, combined with historical resources, to systematically sort out the art of Guizhou Miao embroidery, explore its roots, summarise and understand the boundaries of Miao embroidery from the perspective of artistic title and conceptual scope, and explore its origin and geographical classification. From the four aspects of primitive classification, compositional form, colour pattern and technical stitching, the art form is clearly classified, recorded and standardised, and the characteristics of Guizhou Miao embroidery art are explored from the cultural and aesthetic perspective, which provides an important complement and research paradigm for basic research on the history of Miao embroidery art.