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Design  2024 

明式家具的当代展陈会所和办公区空间设计
Contemporary Exhibition Hall and Office Space Design of Ming Style Furniture

DOI: 10.12677/design.2024.95622, PP. 872-879

Keywords: 明式家具,会所设计,办公区设计,禅宗美学
Ming Style Furniture
, Club Design, Office Area Design, Zen Aesthetics

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Abstract:

明代家具自古以来就是传统家具的优秀代表。其简洁的设计、厚重的形象和精湛的工艺可以为现代设计提供许多参考和借鉴。明式家具的设计秉承“以人为本”的设计理念,重视人的感受和体验。明式家具在现代设计中的应用主要强调情感的表达,而不是实用性。明式家具作为历史的载体,本身就具有艺术价值,因此不需要特殊的空间。它表现出一种特殊的社会意识形态,证明了明式家具具有审美功能、情感沟通功能和以人为本的特点。现代室内空间设计中的表现不仅应注重创造特定的家具,还应创造人与室内空间环境之间的新关系。分析明式家具的设计特点,揭示其文化内涵,旨在将明式家具应用于会所和办公空间的设计。本文主要从明式家具的文化内涵出发,探究会所和办公区的设计,融合传统美学思想和即禅宗美学和侘寂美学,在设计中增加文化内涵。
Ming Dynasty furniture has been an excellent representative of traditional furniture since ancient times. Its simple design, heavy image, and exquisite craftsmanship can provide many references and inspirations for modern design. The design of Ming style furniture adheres to the design concept of “people-oriented” and values human feelings and experiences. The application of Ming style furniture in modern design mainly emphasizes emotional expression rather than practicality. As a carrier of history, Ming style furniture itself has artistic value and therefore does not require special space. It exhibits a special social ideology, proving that Ming style furniture has aesthetic, emotional communication, and people-oriented characteristics. The expression in modern interior space design should not only focus on creating specific furniture, but also on creating new relationships between people and the indoor space environment. Analyzing the design characteristics of Ming style furniture and revealing its cultural connotations, with the aim of applying Ming style furniture to the design of clubs and office spaces. This article mainly explores the design of clubhouses and office areas based on the cultural connotations of Ming style furniture, integrating traditional aesthetic ideas such as Zen aesthetics and Wabi sabi aesthetics, and adding cultural connotations to the design.

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