中日古代恋歌之比较研究——以《越人歌》与《八千矛神歌》为例
A Comparative Study of Chinese and Japanese Ancient Love Songs—Focusing on Yuè-rén-gē and Yachihoko-no-kami

文章立足于中日比较文学视域，聚焦《越人歌》与《古事记》中的《八千矛神歌》，通过内在风景的人物形象、外在风景的自然意象两大方面的比较分析，并将恋歌置于历史语境，发掘了恋歌折射出的思想内涵。切入文本分析发现，两首恋歌作为中日古代恋爱歌谣，在人物身份设计、爱意情感表达等方面具有较高相似度。同时，两首恋歌又有各自鲜明特点。从不同的人物性格心理以及情节安排设计等方面中可窥见两国不同的婚恋思想以及政治背景差异。
From the perspective of Chinese-Japanese comparative literature, this paper focuses on two ancient songs Yuè-rén-gē and Kojiki’sWaka of Yachihoko-no-kami. Through comparatively analyzing the character image of internal scenery and the natural image of external scenery and incorporating the love song into the historical context, the ideological connotation reflected by the love songs is explored. The analysis of the text reveals that the two love songs, as ancient love songs in China and Japan, have a high degree of similarity in terms of character identity design and emotional expression of love. At the same time, the two love songs on their features. From different character psychology and plot arrangements, distinguishing marriage notions and political backgrounds of the two countries are detected.