从“三度写作”视阈看民族文化传统的现代命运
The Modern Destiny of National Cultural Tradition from the Perspective of “Three-Dimensional Writing”

提到沈从文，我们脑海中首先浮现的就是他笔下人杰地灵的湘西世界。沈从文、凤凰已经在人们心中形成了一个整体，不可分割。他们之间紧密相连、彼此成就。与此同时，第四个维度也在深深地影响着它们的书写，那就是全球化的语境。本文运用徐新建的“三度写作”理论，通过“族群书写”、作家创作以及学术研究三个纬度分析“全球化语境”对民族文化传统影响，本文旨在揭示本土文化与全球化之间的矛盾，希望可以引起大家的重视与探讨。
When it comes to Shen Congwen, the first thing that comes to mind is his The Border Town and the world of outstanding people and land in Xiangxi. Shen Congwen, Fenghuang, and The Border Town have formed an inseparable whole in people’s minds. They are closely connected and achieve success with each other. At the same time, the fourth dimension is also deeply influencing their writing, which is the context of globalization. This article applies Xu Xinjian’s “Three Dimensional Writing” theory to analyze the impact of “globalization context” on the National Cultural Tradition from three dimensions: “ethnic writing”, writer creation, and academic research. Shen Congwen and Fenghuang have both been favored by everyone for their marginal status, but they are gradually moving from the periphery to the center in the process of globalization. Some cultures with ethnic characteristics are bound to be reorganized and rewritten. This article aims to reveal the contradiction between local culture and globalization, hoping to draw attention and discussion from everyone.