白居易园林美学思想探微
A Probe into Bai Juyi’s thought of Garden Aesthetics

唐代是中国文人私家园林兴盛时期，文人士大夫阶层通过营造园林，寄情园中，安顿身心。白居易是其中最具代表性的人物之一。论文以白居易园林美学思想为研究对象，首先通过对中国园林历史的梳理及对白居易造园活动的介绍，说明白居易园林美学的历史背景；其次，论文以中国文人园林的隐逸精神为文脉，结合白居易的生平遭遇，将白居易提出的“中隐”视为其园林美学的生活观，论述白居易“中隐观”所蕴含的中庸、知足保和和逍遥闲适的生活内涵；最后，论文以白居易“中隐观”为基础，论述白居易园林美学思想中讲究“小”的审美尺度、“顺应自然”“以小见大”的形式美原则及幽深绝俗的审美意境问题。
In the Tang Dynasty, Chinese literati private gardens flourished, and literati and officials built gardens to relax themselves. Bai Juyi is one of the most representative figures. This paper takes Bai Juyi’s garden aesthetics as the research object. Firstly, through combing the history of Chinese garden and introducing Bai Juyi’s gardening activities, it explains the historical background of Bai Juyi’s garden aesthetics. Secondly, with the hermit spirit of Chinese literati gardens as the context, combined with Bai Juyi’s life experience, Bai Juyi’s “hidden in the middle” is regarded as his view of life in garden aesthetics, and discusses the connotation of the mean, contentment and leisure life contained in Bai Juyi’s “hidden in the middle”. Finally, on the basis of Bai Juyi’s view of hidden in the middle, the paper discusses bai Juyi’s aesthetic thoughts of garden aesthetics, which pay attention to the aesthetic scale of “small”, the principle of formal beauty of “conform to nature” and “see the big by the small”, and the profound aesthetic conception of avoiding the vulgar.