思潮喧哗下的莫言先锋语言特征和形态
The Characteristics and Forms of Mo Yan’s Avant-Garde Language under the Noisy Trend of Thought

为了深入分析莫言的先锋语言特征和形态，文章结合莫言的《红高粱家族》《丰乳肥臀》《生死疲劳》等主要作品，从思潮喧哗视角下分析启蒙主义、存在主义和结构主义对莫言语言先锋探索的影响，从中挖掘到了莫言语言的“异化、隔阂、陌生化”等先锋特征。再进一步从叙述层面的叙述结构、叙述内容和叙述声音，语言角度的语言搭配、方言的使用共两个主要层面分析莫言先锋语言的“间离”和“偏离”两种形态。
In order to deeply analyze the characteristics and forms of Mo Yan’s avant-garde language, combined with Mo Yan’s major works such as Red Sorghum Family, Large Breasts and Wide Ass and Life and Death Are Wearing Me out, this paper analyzes the influence of enlightenment, existentialism and structuralism on Mo Yan’s avant-garde language exploration from the perspective of noisy trend of thought, and finds out the avant-garde characteristics of Mo Yan’s language such as “alienation, estrangement and defamiliarization”. Further, the paper analyzes the “separation” and “deviation” of Mo Yan’s avant-garde language from two main aspects: narrative structure, narrative content and narrative sound, language collocation and dialect use.