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唐诗中的“秋露”意象
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Abstract:
“秋露”意象是唐代诗人常用的描写对象,因“白露”这一节气也在秋季,故“白露”也经常与“秋露”互为指代。诗人们在描写秋露时,或直接描写“秋露”或“白露”,或将秋露与草类植物和昆虫类动物相组合来进行描写,以此表达不同的情感。而“秋露”意象的存在,也反映出士人们对时光易逝的慨叹,对羁旅漂泊的愁苦以及对清正高洁的理想人格的向往等心态。它的形成受到了我国伤春悲秋的文化传统,佛学“露喻”思想及道教尚隐之思潮的多重影响。
“Autumn dew” imagery is commonly used by poets in the Tang Dynasty to describe the object, because the “White Dew” this festival is also in autumn, so “White Dew” is also often used to refer to the “Autumn Dew”. The term “white dew” is also often used to refer to the “autumn dew” because the season is also in autumn. When poets describe autumn dew, they either directly describe “autumn dew” or “white dew” or combine autumn dew with grass plants and insects to express different emotions. The existence of the imagery of “autumn dew” also reflects the scholars’ lament for the easy passage of time, their sorrow for the wandering and their aspiration for the ideal personality of purity and purity. Its formation was influenced by our cultural tradition of sadness and sorrow for autumn, the Buddhist idea of “dew” and the Taoist ideology of privacy.
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