遥远的声音：空间叙事视阈下的古龙小说——以《陆小凤传奇》为例
Distant Sound: Gu Long’s Novels from the Perspective of Space Narrative—Taking The Legend of Xiaofeng Lu as an Example

作为新派武侠小说的“怪才”，古龙善于融合使用多样的叙事元素与新奇的记叙技巧，尤其长于构造风云诡谲的梦幻空间。结合二十世纪文学的视阈背景，古龙小说凸显了极力淡化传统小说叙事中依赖时间顺序的叙述惯性，体现出现代小说的空间叙事特色。本文尝试从“空间叙事”理论角度出发，重新分析古龙小说的空间凸显、对话体制、漫游模式等叙事策略，总结出一种独特的远景叙述偏向，以期能为日后从类型化的角度理解武侠小说，进而构建“小说空间学”提供一种可能的视角及思路。
As a “genius” in the new genre of martial arts novels, Gu Long is adept at integrating and using diverse narrative elements with novel narrative techniques, especially adept at constructing dreamy spaces that are full of twists and turns. Combining the perspective of 20th century literature, Gu Long’s novels highlight the strong emphasis on downplaying the narrative inertia of traditional novels that rely on temporal order, reflecting the spatial narrative characteristics of modern novels. This article attempts to reanalyze the narrative strategies of Gu Long’s novels, such as spatial prominence, dialogue system, and roaming mode, from the perspective of “Space Narrative” theory. It summarizes a unique perspective narrative bias, in order to provide a possible perspective and train of thought for future understanding of martial arts novels from a typological perspective and constructing “Space Narrative Studies of Novel”.