山西中阳剪纸艺术在现代家具设计中的应用
The Application of Shanxi Zhongyang Paper-Cutting Art in Modern Furniture Design

山西吕梁地区以中阳剪纸尤为出色，中阳民俗剪纸以其醇厚的文化底蕴和独特的艺术魅力，在中阳民俗文化生活中占有重要地位。在全球化的大趋势下，中阳剪纸已经冲破了原有的形式束缚，在保护和传承的基础上不断拓展和发展渠道。除了艺术作品的衍生创作，还与设计进行了跨界融合，为拓展中阳剪纸艺术在家具设计中的创新应用，剖析蕴含在中阳民俗剪纸艺术中的审美形式、表现手法、工艺技术，通过分解重构、元素替换的手法，将剪纸与家具设计结合。具体表现为平面模块化、材质混搭、纹样叙事的设计思路，以期为我国现代家具设计的发展提供新的参考路线。
Shanxi Luliang area is particularly outstanding, zhongyang folk paper-cutting plays an important position in Zhongyang folk culture life with its honest cultural heritage and unique artistic charm. Under the general trend of globalization, Zhongyang paper-cutting has broken through the shackles of the original form, and continues to expand and develop channels based on protection and inheritance. In addition to the derivative creation of the artworks, it also carries out the crossover integration with the design. In order to expand the innovative application of Zhongyang paper-cutting art in furniture design, the aesthetic form, expression technique and technological technology contained in Zhongyang folk paper-cutting art are analyzed. Through decomposition and reconstruction and replacement of elements, paper cutting and furniture design are combined. It is embodied in the design idea of plane modularity, material mixing and matching, and pattern narrative, to provide new ideas for future furniture design.