全部 标题 作者
关键词 摘要

OALib Journal期刊
ISSN: 2333-9721
费用:99美元

查看量下载量

相关文章

更多...

Horror & Life: Telling a Story in Order Not to Run

DOI: 10.4236/aasoci.2024.144014, PP. 201-214

Keywords: Endometriosis, Medical Encounters, Supernatural Horror, Narrative Competence, Storytelling in Health, Narrative Practices in Health

Full-Text   Cite this paper   Add to My Lib

Abstract:

In my paper, I develop and reflect on a method that is close to writing therapy, in which writing is used to cope with difficult experiences including mental and physical illness and is partially inspired by the principles of narrative medicine. The method which I am proposing is about combining own experience with the body and with medical encounters with supernatural horror (horror movies/books/one’s own horror stories) to tell a story that can ease anxiety. More importantly, to combine own experience with the body/medical encounters with supernatural horror could be a way of telling the body’s stories to oneself and of translating the body language to oneself to reach an understanding (if ever possible), to cope with the body unknown, and to advance communication skills when faced with the medical personnel. To produce such a story does not mean giving in to the neo-liberal culture of an individual who is able to fix every problem on their own. It also does not mean that doctors should be released from the responsibilities set by their profession. In fact, such storytelling, such narrative competence has to do with the need of the embodied, embedded, relational, and multiple self to regain and/or maintain its agency in the flux of life in general and when opening the doors to the medical centres in particular.

References

[1]  Allen-Collinson, J. (2010). Running Embodiment, Power and Vulnerability: Notes towards a Feminist Phenomenology of Female Running. In E. Kennedy, & P. Markula (Eds.), Women and Exercise: The Body, Health and Consumerism (pp. 280-298). Routledge.
[2]  Bolton, G. (1999). The Therapeutic Potential of Creative WritingWriting Myself. Jessica Kingsley
[3]  Charon, R. (2008). Narrative Medicine: Honoring the Stories of Illness. Oxford University Press.
[4]  Charon, R., DasGupta, S., Hermann, N., Irvine, C., Marcus, E. R., Colsn, E. R., Spencer, D., & Spiegel, M. (2016). The Principles and Practice of Narrative Medicine. Oxford University Press.
https://doi.org/10.1093/med/9780199360192.001.0001
[5]  Cooper, R., & Lilyea, B. V. (2022). I’m Interested in Autoethnography, But How Do I Do It? The Qualitative Report, 27, 197-208.
https://doi.org/10.46743/2160-3715/2022.5288
[6]  Cuddon, J. A (2013). A Dictionary of Literary Terms and Literary Theory, Wiley-Blackwell: UK, Fifth Edition.
https://doi.org/10.1002/9781118325988
[7]  King, S. (2010). Danse Macabre. Gallery Books. (Originally Published April 20, 1981).
[8]  King, S. (2017). The Girl Who Loved Tom Gordon. Pocket Books (Originally Published 1999).
[9]  Muhl, A. M. (2003). Automatic Writing. Kessinger Publishing (Originally Published 1930).
[10]  Schneider, B., Austin, C., & Arney, L. (2008). Writing to Wellness: Using an Open Journal in Narrative Therapy. Journal of Systemic Therapies, 27, 60-75.
[11]  Singer, J., & Singer, G. H. S. (2008). Writing as Physical and Emotional Healing: Findings from Clinical Research. In C. Bazerman (Ed.), Handbook of Research on Writing: History, Society, School, Individual, Text (pp. 485-498). Lawrence Erlbaum Associates.
https://doi.org/10.1521/jsyt.2008.27.2.60
[12]  Van Dijk, J. (2005). The Transparent Body: A Cultural Analysis of Medical Imaging. University of Washington Press.

Full-Text

Contact Us

service@oalib.com

QQ:3279437679

WhatsApp +8615387084133