明代游具提盒形制的起源、演化与设计文化解析
The Origin, Evolution, and Design Cultural Analysis of the Forms of the Tourist Implement Lifted Boxes in Ming Dynasty

目的：本文以明代游具提盒为研究对象，探究明代游具提盒的设计形制与明代社会文化之间的关系。方法：以图像学、类型学方法梳理游具提盒的形态起源与演变谱系，通过案例分析法研究明代游具提盒的两种特殊演化形态，最后分析这两种设计形态的演化与文人隐逸文化转变的相关性。结果：明代的游具提盒演化出以“精致巧适”和“器用分离”为特征的两种设计形态，显示出游具提盒从文人旅游生活中“致用性”的实用器到书斋生活中“象征性”的赏玩器的功能转变。结论：明代游具提盒的形制演化与功能转型受文人旅游生活方式、隐逸文化观念转变的影响，反映出明代社会文化变迁的一角。
Aim: This paper takes the Ming Dynasty tourist implement lifted boxes as the research object, and explores the relationship between the design form of the Ming Dynasty lifted box and the social culture of the Ming Dynasty. Method: This study uses iconographic and typological methods to sort out the morphological origin and evolutionary genealogy of the lifted boxes, studies two special evolutionary forms of the Ming lifted boxes through case study, and finally analyzes the correlation between the evolution of these two design forms and the transformation of the culture of the literati and their seclusion. Results: The two design forms featured in “exquisite and skillful adaptation” and “separation of form and function” have evolved in Ming dynasty tourist implement lifted boxes, which show that the tourist implement lifted box has changed from a “useful” practical tool in the travel life to a “symbolic” enjoyment tool in the study life. Conclusion: The evolution of the form and functional transformation of the traveling box in the Ming Dynasty was influenced by the change of the literati’s traveling lifestyle and the concept of seclusion culture, reflecting a corner of the social and cultural changes in the Ming Dynasty.