|
Design 2024
东阳非遗文化视角下的灯具文创产品设计
|
Abstract:
本研究以国家级非物质文化遗产东阳木雕结合现代灯具文创产品的再创新为研究方向,探索非遗文创产品设计创新路径,旨在以文创产品所具有独特的文化属性来助力非遗文化的活态传承。本研究通过学习东阳木雕的纹样、梳理东阳木雕纹样的素材,了解现代灯具发展前景与现代灯具的结构,制定提炼主题、设立表述层次、产品设计实践3个阶段的设计流程。根据产品市场现状与文创产品及地域文化结合的优势,进行纹样归类,光影效果的创意想法,转化及衍生品设计,利用灯具文创打破非遗文化的传统圈层,推动传统文化与现代设计接轨。通过剖析东阳木雕的造型艺术特色及分析灯具产品的市场情况,逐步探索东阳木雕元素在灯具中的应用,结合东阳木雕的特征与文创灯具的形式,营造弘扬中华优秀传统文化的良好氛围。
This study aims to explore the innovation path of non-heritage cultural and creative product design through field research and literature research, and aims to combine Dongyang wood carving, a national intangible cultural heritage, with modern lighting and cultural and creative products for re-innovation. The purpose is to assist in the positive transmission of intangible cultural heritage culture. The purpose of this study is to closely study the development prospects of Dongyang wood carving patterns and modern lamps, sort out the materials of Dongyang wood carving patterns and the structure of modern lamps, and formulate a design process that includes three stages: theme extraction, expression level establishment and product design practice. Based on the current situation of the product market and the advantages of combining cultural and creative products with regional culture, the pattern is classified, the light and shadow effect is creatively conceived, and the design derivatives are transformed. We use lighting and cultural creativity to break through the traditional circle of intangible cultural heritage and promote the integration of traditional culture and modern design. By analyzing the artistic characteristics of Dongyang wood carving and the market situation of lighting products, the application of Dongyang wood carving elements in lighting fixtures is gradually explored. Combin-ing the characteristics of Dongyang wood carving with the form of cultural and creative lamps, we will create a good atmosphere for carrying forward the excellent traditional culture of China.
[1] | 胡丽娜, 刘丹. 徽州木雕纹样在文创产品设计中的传承与创新[J]. 美与时代(上), 2019(1): 50-52.
https://doi.org/10.16129/j.cnki.mysds.2019.01.018 |
[2] | 史文强. 泉州灯彩的工艺在现代创意灯具设计中的应用研究[J]. 美与时代(上), 2021(10): 95-97.
https://doi.org/10.16129/j.cnki.mysds.2021.10.032 |
[3] | 何蕊, 徐钊, 徐俊华. 现代竹制灯具创意设计研究[J]. 西南林业大学学报(社会科学), 2017, 1(4): 95-98. |
[4] | 付振宇. 基于地域文化的文创产品创新设计[J]. 包装工程, 2019, 40(20): 215-218+222.
https://doi.org/10.19554/j.cnki.1001-3563.2019.20.035 |
[5] | 吴俊骞. 基于诗歌意象的文创产品设计研究[D]: [硕士学位论文]. 杭州: 浙江工业大学, 2017. |
[6] | 孙晟博, 高炳学. 符号学在文创产品设计中的应用现状[J]. 包装工程, 2022, 43(18): 283-292+326.
https://doi.org/10.19554/j.cnki.1001-3563.2022.18.034 |
[7] | 刘扬. 天工开物在信息符号化中的应用[J]. 包装工程, 2016, 37(12): 5-8. |
[8] | 王毅, 雷鸣. 面向阅读推广的公共图书馆文创产品开发研究[J]. 图书馆杂志, 2020, 39(5): 28-42, 54. |
[9] | 高崇, 刘冀伟, 卜立言. 基于抗战纪念设施与遗址的文化创意产品设计[J]. 包装工程, 2019, 40(18): 112-117.
https://doi.org/10.19554/j.cnki.1001-3563.2019.18.017 |
[10] | 蒋路娅, 林友桂, 胡盼盼, 等. 东阳木雕图案取材研究[J]. 生活教育, 2014(S1): 349+393. |