唐代团花纹样的设计演变研究
Research on the Design Evolution of Tang Dynasty Tuanhua Patterns

团花纹样是中国古代纹样史中最具特色的装饰纹样之一，团花的装饰组合元素因成近似圆形的单位纹样，在《辞海》中，“团花”被解释为“围绕放射状或旋转的圆形图案”，因此“圆”不仅是“团花”最明显的特点，也是团花图案不可或缺的元素。《中国纹样辞典》中记载：团花是指外轮廓为圆形的装饰纹样。对于“圆”可用带有浓厚中国美学意蕴的阴阳、方圆、乾坤等包含来解释。该文以团花纹样为例，分析其造型、结构、色彩、文化寓意、层次在初唐、盛唐、中唐、晚唐四个时期的艺术特点，辅以魏晋南北朝时期团花纹样在中国的开端加以讨论。
Tuanhua pattern is one of the most distinctive decorative patterns in the history of ancient Chi-nese patterns. The decorative combination elements of Tuanhua form a nearly circular unit pattern. In “Cihai”, “Tuanhua” is explained as “a circular pattern that revolves around radiation or rotation”. Therefore, “circle” is not only the most obvious feature of “Tuanhua”, but also an indispensable element of Tuanhua pattern. According to the “Dictionary of Chinese Patterns”, “Tuanhua” refers to decorative patterns with a circular outline. For “circle”, it can be explained by the inclusion of Yin and Yang, Fang Yuan, Qian Kun, and other elements with strong Chinese aesthetic connotations. This article takes the group flower pattern as an example to analyze the artistic characteristics of its shape, structure, color, cultural significance, and hierarchy in the early Tang, prosperous Tang, middle Tang, and late Tang periods. It is supplemented by discus-sions on the beginning of the group flower pattern in China during the Wei, Jin, Southern and Northern Dynasties.