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Design  2023 

库淑兰剪纸艺术在平面设计中的研究探索
Exploration of Kushulan’s Paper-Cut Art in Graphic Design

DOI: 10.12677/Design.2023.84388, PP. 3137-3142

Keywords: 剪花娘子,图形特征,平面设计
Goddess of Paper Cut
, Graphic Feature, Graphic Design

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Abstract:

库淑兰将传统剪纸造型和地方特色相结合,在此基础上加入自己个性化的创新形成库淑兰剪纸。剪贴画这一剪纸新形式由此展开。她乐观豁达,能幽默自己的人生,自编自唱自己的苦乐身世,将自己作为主角带入作品中创作出剪花娘子。本文将从库淑兰剪纸中的图形特征出发以平面设计艺术美学的视角进行剖析与研究。并且利用现代平面设计法则进一步探索。
Kushulan combined the traditional paper-cutting style with local characteristics, increased her own personalized innovation, and formed Kushulan paper-cutting. Clip art, a new form of paper-cutting, is thus launched. She is optimistic and open-minded, can humor her life, can sing her own joys and sorrows, can bring herself into her works as a protagonist and be a scissors girl. This paper will analyze and study the graphic characteristics of Kushulan paper-cut from the perspective of graphic design art aesthetics, then uses the modern graphic design law to further explore.

References

[1]  张蒙蒙. 关中旬邑库淑兰剪纸艺术与视觉符号研究[D]: [硕士学位论文]. 西安: 西安建筑科技大学, 2015.
[2]  董溪梦. 库淑兰新剪纸图形视觉语言特征的探析与启示[D]: [硕士学位论文]. 北京: 中国美术学院, 2014.
[3]  南东京. 探析库淑兰剪纸艺术的色彩特征[J]. 现代装饰(理论), 2014(2): 124.
[4]  方园. 民间图案对现代设计的启示[J]. 湖北美术学院学报, 2007(3): 67-68.

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