柏孜克里克第20窟供养人画像汉元素微探
A Brief Exploration of the Chinese Elements in the Portraits of the Supporters in the 20th Caves of Bezeklik

佛教在新疆地区有着悠久的历史。西迁后改宗佛教的高昌回鹘在柏孜克里克石窟寺留下了许多佛教艺术。这些精美的佛教壁画不仅拥有很高的艺术价值，更是见证了高昌回鹘地区佛教历史。文章从柏孜克里克第20窟供养人画像入手，通过对人物衣饰分析与考证，去探寻高昌回鹘佛教对汉文化的吸收与融合，了解高昌回鹘与汉地的交流对民族文化发展的意义。
Buddhism has a long history in Xinjiang. Gaochang Uighur, which converted to Buddhism after moving west, left behind many Buddhist arts in the Bezeklik Grottoes Temple. These exquisite Buddhist murals not only have high artistic value, but also bear witness to the history of Buddhism in Gaochang Uighur region. Based on the paintings of the suitors in the 20th cave of Bezeklik, this paper explores the absorption and fusion of Chinese culture in Gaochang Uighur Buddhism by Gaochang through the analysis and textual research of the figure’s clothing, to understand the significance of exchanges between the Gaochang Uighur and the Han nationality to the development of national culture.