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Design  2023 

雁北耍孩儿在文创产品设计中的应用研究——以《狮子洞》剧目为例
Research on the Application of Yanbei Children in the Design of Cultural and Creative Products—Taking the Play “Lion Cave” as an Example

DOI: 10.12677/Design.2023.84312, PP. 2571-2575

Keywords: 耍孩儿,狮子洞,非遗传承,文创产品
Playing Children
, Lion Cave, Non-Genetic Inheritance, Cultural and Creative Products

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Abstract:

戏曲是非遗文化的重要组成部分。2006年,雁北耍孩儿入选为我国第一批非物质文化遗产名录。但其生存现状不容乐观,现存耍孩儿文创产品鲜少,同类型戏曲文化的衍生品却流通于市。本文对如何将耍孩儿文化应用到文创产品中进行探讨与分析,通过与文创产品的结合以及新媒体等方式的结合寻找发扬耍孩儿的突破口。以耍孩儿代表剧目《狮子洞》为例进行创作构思,为传播与保护非遗文化提供思路。
Chinese opera is an important part of intangible cultural heritage. In 2006, Yanbei juggling children were selected as the first batch of intangible cultural heritage in China. However, its current situation of existence is not optimistic, there are few existing children’s cultural and creative products, and derivatives of the same type of opera culture are circulating in the market. This paper discusses and analyzes how to apply the culture of juggling children to cultural and creative products, and finds a breakthrough to promote juggling children through the combination of cultural and creative products and new media. Taking the children’s representative play “Lion’s Cave” as an example, the creative concept is carried out, which provides ideas for the dissemination and protection of intangible cultural heritage.

References

[1]  佟鑫. 雁北耍孩儿戏起源考[J]. 中国戏剧, 2022(11): 53-55.
[2]  李佩玉. 大同“耍孩儿”艺术特征探析[J]. 戏曲之家, 2021(19): 34-35.
[3]  纪明明. 戏曲类非遗传承发展的现实困境与未来走向[J]. 理论月刊, 2022(3): 79-85.
[4]  佟鑫. 雁北“耍孩儿”戏音乐创作和表演特点研究[J]. 中国戏剧, 2020(11): 75-77.
[5]  魏晞. 赣南采茶戏文创产品设计[J]. 包装工程, 2020(20): 246-249+258.
[6]  郭燕. 浅谈雁北地方小剧种——“耍孩儿” [J]. 黄河之声, 2018(7): 73-74.

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