数字资本主义批判视域下韩炳哲的艺术哲学思想
ByungChul-Han’s Art Philosophy from the Perspective of Digital Capitalism Criticism

在艺术哲学丧失真理性地位的现代条件下，韩炳哲依然坚持艺术与哲学解放思想的力量，分别从古典思想与现代思想当中汲取理论资源，对糅合了主体主义原则和资本主义原则的数字资本主义审美经验予以批判。在韩炳哲看来，一方面，数字资本主义的审美经验承袭近代以来西方哲学主体主义的思路，沉溺于主体意识内部自我满足、自我封闭，丧失了人与世界的有机联系；另一方面，数字资本主义塑造的感性艺术形象实际上是经济理性算计的结果，它仍屈从于资本主义抽象理性的逻辑体系。对此，韩炳哲主张在主体外部开辟出他者的审美空间，“他者之美”将解放封闭的主体自我意识，打开新的存在的可能性，为改变人与世界的关系铺展出新的理论道路。
Under the modern condition that the philosophy of art has lost the status of truth, ByungChul-Han still insists on the power of art and philosophy to emancipate the mind, draws theoretical resources from classical thought and modern thought respectively, and criticizes the aesthetic experience of digital capitalism which combines the principle of subjectivity and the principle of capitalism. In Han’s view, on the one hand, the aesthetic experience of digital capitalism inherits the idea of subjectism in Western philosophy since modern times, indulging in self-satisfaction and self-isolation within the subject consciousness, and losing the organic connection between man and the world; On the other hand, the perceptual artistic image created by digital capitalism is actually the result of economic rational calculation, and it is still subject to the logical system of abstract rationality of capitalism. In this regard, Han maintains that the aesthetic space of others should be opened up outside the subject, and “the beauty of others” will liberate the closed subject’s self-consciousness, open up new possibilities of existence, and lay out a new theoretical path for changing the relationship between man and the world.