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巴斯妇与崔莺莺女性主义思想对比研究
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Abstract:
乔叟在《坎特伯雷故事集》中塑造的巴斯妇以及王实甫在《西厢记》中创作的崔莺莺是反映中世纪中西方女性主义意识发展的典型代表人物。在女性主义视角的关照下,以书中女性人物巴斯妇和崔莺莺为研究对象,从各自的女性主义意识形成的原因、女性主义意识的表现方式、以及女性主义意识对社会的影响和局限性三个方面对书中人物巴斯妇和崔莺莺进行对比研究,从跨文化比较的视角挖掘中世纪中西方女性主义意识建构的异同,厘清女性主义的发展的历史必然和个体差异。
The Wife of Bath in Chaucer’s The Canterbury Tales, and Cui Yinging in Wang Shifu’s The Romance of West Chamber, are respectively the outstanding representatives with the sense of feminism in England and China at Middle Ages. From the perspective of feminism, this paper contrastively studies the formation reasons, ways of display, influence and limitations of feminist thought of the Wife of Bath and Cui Yingying respectively. Then the similarities and differences of China and West women’s feminism construction at certain time are explored, the inevitability of feminism development and individual divergences are clarified.
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[2] | 王实甫. 西厢记[M]. 许渊冲, 许明, 译. 北京: 中国对外翻译出版公司, 1978. |
[3] | 高嘉正, 高菁. 一个女权主义者的文学形象——评乔叟笔下的巴斯妇[J]. 上海理工大学学报(社会科学版), 2013(9): 245-249. |
[4] | 季红莉. 深度解析《西厢记》中崔莺莺形象[J]. 精品文艺, 2014(1): 241-242. |