《东北游记》——异域视角下的非虚构东北乡土
In Manchuria: Non-Fiction of Northeast China’s Native Culture from an Exotic Perspective

美国非虚构作家迈克尔？麦尔在其非虚构作品《东北游记》中，以域外视角书写千百年来东北的史事沉浮，同时以他者之眼深描这片黑土之上的和谐人地、热情人际、今昔城乡，甚至以此瞥见中国城乡的未来。麦尔勾勒出极具地域特色的东北乡土，这种异域视角的新质东北书写，将个性化的东北形象传播至国际视野，亦丰富了东北书写的多维性，与国内东北书写形成良性的互文。
In his non-fiction work In Manchuria, American non-fiction writer Michael Meyer writes about the history of the Northeast China from an exotic perspective, and at the same time describes the harmony of the people and the land, the warmth of the people, and the cities and towns of the present and the past on this black soil, and even glimpses the future of China’s cities and towns in this way. Michael Meyer has outlined a very distinctive Northeast China, and this new quality of Northeast China writing from an exotic perspective spreads the personalized image of Northeast China to the international field of vision, and also enriches the multidimensionality of Northeast China writing, forming a benign intertext with domestic Northeast China writing.