晚明“拙”美学观在中国风格服装的设计表现
The Design Expression of the “Simplicity” Aesthetics of the Late Ming Dynasty in China Style Fashion Designs

文章以“拙”美学观为切入点，挖掘其文化内涵与当代中国风格服装设计的联系，并进一步丰富中式审美的多样性。通过探究“拙”在晚明时期艺术演化形式，分析书画艺术中“古拙”、“生拙”、“稚拙”的表现，结合新锐服装设计表达中的显性关联和隐性关联，来探索其在服装设计中的转化方式。“拙”之美，是一种古朴苍劲的审美意象，其审美品格是超越传统的束缚的设计自主性的体现。“拙”美学观为中国风格服装设计注入新的审美文化价值。
This thesis takes the aesthetics of “simplicity” as the breakthrough point, explores its cultural connotations in relation to contemporary China style fashion design, and further enriches the diversity of Chinese aesthetics. By exploring the form of artistic evolution of “simplicity” in the late Ming Dynasty, analyzing the expression of “ancient”, “raw” and “childish” in painting and calligraphy, and combining the explicit and implicit associations expressed by the emerging fashion design, this article explores the way of transformation of “simplicity” in fashion design. The aesthetic of “simplicity” is a kind of aesthetic image of ancient simplicity and vigor, and its aesthetic character is the embodiment of design independence that transcends the constraints of tradition. The aesthetic concept of “simplicity” brings new aesthetic and cultural values to China style fashion design.