源与流——传统“二十四孝图”流变研究与重塑设计
Source and Flow—Rheological Research and Remodeling Design of the Traditional “Twenty-Four Filial Piety Diagram”

本文论述了传统孝文化为孝行图文化之源，孝行图雏形为传统“二十四孝图”定型的图之源。而传统“二十四孝图”中多数题材经不断演绎，逐渐背离了原始孝心与孝行初衷，亦不适用于当下。文中通过对历代不同载体上的孝行图进行艺术特征比较研究，论证其流行传播性、实用功能性、艺术装饰性逐步提升；通过分析雏形较早的人物孝行图中人事物场四因素的流变，总结人物数量比例与位置关系、题材演变与情节变体、生活方式与构图样式、美学特征的变化。同时，基于当代老龄社会“孝失信”现象、孝老困境，明确重塑孝行图的现实意义与内容，并依据“以图叙事”的设计方法进行了设计实践。
This article discusses that the traditional filial piety culture is the source of the culture of filial piety diagrams, and the prototype of filial piety diagrams is the source of the traditional “Twenty-Four Filial Piety Diagrams”. Based on the carrier case, this paper makes a comparative study of artistic characteristics. Through the rheological analysis of the four factors of the field of people and things in the early prototype of the figure filial piety diagram, the change of the number ratio and position of the figure, the evolution of the theme and the variation of the plot, the lifestyle and composition style, and the aesthetic characteristics, the design method of “narrative by picture” is obtained. Based on the phenomenon of “filial piety faithless” and the dilemma of filial piety, this paper clearly reshaped the realistic meaning and content of filial piety map, and carried out design practice.