杭州西湖绘画中肩舆园林设计理念研究
The Landscape Design Concept of Moving Architecture in Hangzhou West Lake Painting

自古以来杭州西湖都是文人诗画题咏的对象，绘画和园林之间有着密切深厚的联系。这篇文章通过对杭州西湖绘画的整理，分析了其中的肩舆园林类型，以揭示肩舆园林景观空间设计方式和营造技巧。通过对比研究西湖绘画中的肩舆游赏空间的图像资料与历史文献，可以清晰展示人力架设山水道具和移动式载体道具两种设计方式。文章最后以张永和他的作品“稻田宅”为例，对肩舆园林进行了现代化解读，为杭州西湖园林空间设计理念提供了历史性图像解析，并可为现代化景观装置性空间设计提供一定的借鉴和参考。
Since ancient times, West Lake in Hangzhou has been the subject of poems and paintings, and there is a close and profound connection between painting and garden. Through the West Lake painting in Hangzhou, this paper can analyze the landscape space design methods and construction skills of the garden by summarizing the types of the garden in the West Lake painting. Through comparative study on the image data and historical documents of West Lake painting, two design methods of human-set landscape props and mobile carrier props can be intuitively reproduced. Finally, taking Zhang Yonghe’s “Rice field House” as an example, the author interprets the modern significance of the humongy garden, which provides a historical image analysis for the design concept of Hangzhou West Lake garden space, and also provides a reference for the design of modern landscape installation space.