《皮格马利翁》中的女性意识的觉醒与身份的回归——运用生态女性批评分析
The Awakening of Female Consciousness and the Return of Identity in Pygmalion—An Analysis Using Ecological Feminine Criticism

萧伯纳的剧作《皮格马利翁》是深受观众喜爱的浪漫戏剧，剧中伊莉莎由一位平凡的卖花女，经过语言学家希金斯的训练成了一位举止典雅、语音纯正的淑女。这种转变导致了伊莉莎社会伦理身份的困惑，但最终伊莉莎成功摆脱了这种困惑，找到了自己的人生方向。生态女性主义认为人与自然、男人与女人都是和谐共存的。本文运用生态女性批评将伊莉莎比作不同环境的花，分析伊莉莎的女性意识是如何一步步被唤醒，以及伦理身份的迷失和回归。通过对三个时期的分析和探寻，揭示伊莉莎女性意识觉醒和伦理身份回归的奥秘，同时也尝试寻找一种人与自然——男性与女性和谐共存的模式，为当下的女性在社会生活中的的立足提供了一些启示和帮助。
George Bernard Shaw’s play Pygmalion is a popular romantic drama in which Eliza is transformed from an ordinary flower-seller, trained by the linguist Higgins, into a lady of elegant manners and pure voice. This transformation leads to a confusion of Eliza’s social and ethical identity, which ends with Eliza successfully escaping this confusion and finding her own direction in life. Using eco-feminist criticism to compare Elisa to a pristine, untouched forest, this paper analyses how Elisa’s feminine consciousness is awakened step by step, and how her ethical identity is transformed, lost and returned. Through two dimensions of analysis and exploration, it reveals the mystery of Elisa’s awakening of feminine consciousness and return to her ethical identity, and also attempts to find a model of harmonious coexistence between man and nature-male and female.