子君形象的嬗变与女性意识的觉醒——《伤逝》与《我的前半生》对比研究综述
The Transmutation of Zijun’s Image and the Awakening of Female Consciousness—A Review of Comparative Studies of Remorse and The First Half of My Life

鲁迅的《伤逝》与亦舒的《我的前半生》都是以“子君”这一女性形象为主体的小说作品，但时隔数十年，在全新的时代背景下，子君有了完全不同的选择和命运。现有的关于鲁迅《伤逝》与亦舒《我的前半生》对比研究，大部分都是对子君这一形象的对比研究。文章从“独立意识与自我成长：子君形象反思”“时代变迁与观念发展：子君的出走之路”“女性群体意识觉醒：女性互助的力量”“叙述视点与复调表达：子君命运的文学书写”四个方面对现有的两个作品的对比研究进行梳理与综合观照，归纳其研究之间的相似点与内在逻辑，并反思其不足之处。
Lu Xun’s Remorse and Yishu’s The First Half of My Life are both works of fiction that focus on the female figure of Zijun, but decades later, in the context of a new era, Zijun had a completely different choice and fate. Most of the existing studies on Lu Xun’s Remorse and Yishu’s The First Half of My Life are comparative studies of Zijun’s image. This paper compares the existing comparative studies of the two works in four aspects, “Independent Consciousness and Self-Growth: Reflections on Zijun’s Image”, “Changes in Times and Conceptual Development: Zijun’s Path of Exodus”, “The Awakening of Women’s Group Consciousness: The Power of Women’s Mutual Aid”, and “Narrative Perspective and Polyphonic Expression: The Literary Writing of Zijun’s Fate”, summarizes the similarities and internal logic between the studies, and reflects on their shortcomings.