30年代左翼文学思潮下丁玲作品中的人物塑造
The Character Shaping in Ding Ling’s Works under the Left-Wing Literary Trend of the 30s

文章以30年代左翼文学思潮为背景，探索丁玲在这股思潮影响下作品中人物形象出现的变化：以梦珂、莎菲、阿毛为代表的叛逆女性延续了五四时期个性解放的精神，但已经开始蕴含着抗争的精神；以美琳、望微为代表的小资产阶级知识分子在“革命”与“恋爱”中犹疑，但最终选择“革命”成为他们走向进步的标志；以抵抗水灾为代表的村民形象意味着丁玲笔下的人物开始从“小我”的个体塑造走向“大我”的群像塑造，革命浪潮在此时风起云涌地高涨起来。
This paper takes the left-wing literary trend of the 30s as the background to explore the changes in the character image of Ding Ling’s works under the influence of this trend: the rebellious women represented by Mengke, Shafei and A Mao continue the spirit of personality liberation in the May Fourth period, but have begun to contain the spirit of resistance; The petty-bourgeois intellectuals represented by Meilin and Wang Wei hesitated in “revolution” and “love”, but finally chose “revolution” as a sign of their progress; The image of villagers represented by resistance to floods means that Ding Ling’s characters began to move from the individual shaping of the “small self” to the group portrait of the “big self”, and the revolutionary wave was rising at this time.