中西戏剧中“弃妇”形象对比——以美狄亚和王宝钏为例
Comparison of “Abandoned Women” in Chinese and Western Drama—Taking Medea and Wang Baochuan as Examples

在中西方丰富的戏剧艺术形象中，“弃妇”是二者共有的形象。中西“弃妇”形象存在命运上的相似性，然而又由于中西方道德观念、悲剧意识等因素的不同形成了迥异的风格。文章以西方“弃妇”形象代表美狄亚和中国“弃妇”形象代表王宝钏为例，浅析中西方戏剧中“弃妇”形象的差异并探究其差异原因。
Among the rich artistic images of drama in China and the West, the “Abandoned Women” is the common image of both. The images of “Abandoned Women” are similar in fate. However, due to the differences in moral concepts, tragic consciousness and other factors between China and the West, they have formed different styles. This paper takes Medea as the representative of the “Abandoned Women” in the West, and takes Wang Baochuanas the representative of the “Aban-doned Women” in China, try to analyze the differences between the “Abandoned Women” in Chi-nese and Western dramas and explore the reasons for the differences.