汤浅政明动画电影的美学特色——以《春宵苦短，少女前进吧！》为例
Aesthetic Features of Masaaki Yuasa’s Animated Films—Taking “The Night Is Short, Walk on Girl!” as an Example

在日本动画界内被称为“鬼才”的新生代导演汤浅政明用其独特的叙事手法与视觉表达架构出了独属于他的动画美学。他虽以“儿童向”画风出道，但却极具创造力地将人物抽象的心理活动具象化，从而引起了影片强烈的视觉冲击。同时，汤浅独特的叙事手法建构了一个奇幻化的时空，极具个人风格。除此之外，汤浅政明以他丰富绚烂的想象力让观众体验到如梦境般的异世界，主题隐喻直击人生百态。本文将以《春宵苦短，少女前进吧！》为例，着力探讨汤浅政明如何在动画制作技术兴起和写实画风风靡的日本动画电影界突破重围，创造出独属于他的动画世界。
Masaaki Yuasa, a new generation director known as a “wizard” in the Japanese animation industry, has created his own animation aesthetics with his unique narrative techniques and visual expression. Although he began his career with the style of “children’s style”, he concretely visualized the abstract mental ac-tivities of characters with great creativity, causing a strong visual impact. At the same time, Yuasa’s unique narrative techniques construct a fantasy time and space, a very personal style. In addition, Masaaki Yuasa uses his rich and gorgeous imagination to let the audience experience a different world like a dream, and the theme metaphor directly touches on the various aspects of life. This ar-ticle will be titled “The Night Is Short, Walk on Girl” as an example, it focuses on discussing how Masaaki Yuasa broke through the siege in the Japanese animation film industry, where animation production technology rose and realistic painting style became popular, and created his own ani-mation world.