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Narrative Techniques and Thematic Significance in Eudora Welty’s “Powerhouse”

DOI: 10.4236/als.2022.104028, PP. 350-356

Keywords: Eudora Welty, Powerhouse, Focalization, Narration, Perspective

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Abstract:

Eudora Welty is an American short-story writer and novelist whose work is mainly focused with great precision on the regional manners of people inhabiting a small Mississippi town. “Powerhouse” is one of the most debatable short stories, which appears in her first collection—A Curtain of Green. In this story, Welty subtly presents her criticism of racism and segregation by means of masterly narrative techniques: focalization and narration. In addition, she reveals the failure of human’s mutual understanding.

References

[1]  Appel, A. (1965). Powerhouse’s Blues. Studies in Short Fiction, 3, 221.
[2]  Fleischman, S. (1990). Tense and Narrativity. University of Texas Press.
https://doi.org/10.7560/780903
[3]  Ford, S. G. (2014). Serious Daring’ in Eudora Welty’s Powerhouse and Where is the Voice Coming from? The Southern Quarterly, 51, No. 3.
[4]  Herman, D., et al. (2005). Routledge Encyclopedia of Narrative Theory. Routledge.
[5]  Phelan, J. (1994). Self-Help for Narratee and Narrative Audience: How “I”—and “You”? —Read “how”.” Style, 28, 350.
[6]  Prenshaw, P. W. (1984). Conversations with Eudora Welty. UP of Mississippi.
[7]  Rimmon-Kenan, S. (2002). Narrative Fiction: Contemporary Poetics (2nd ed.). Routledge.
https://doi.org/10.4324/9780203426111
[8]  Welty, E. (1980). The Collected Stories of Eudora Welty. Harcourt Brace Jovanovich, Inc..

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