|
振臂于末世时代?扬清于享乐风潮——梅之焕诗文艺术及地域特色
|
Abstract:
梅之焕生活于明末,但他没有将创作视野局限于个人世界,没有沾染颓靡之风;相反,他的诗文始终以朝中政事、边塞战事、乡里民情为主,以刚毅风格记录现实事件,以质朴语言上陈民意,秉公心方执笔墨,毁家私以纾乡难。梅之焕诗文及其精神是明末乱世中的一声如洪钟般的呐喊。
Mei Zhihuan lived in the late Ming Dynasty, but he did not limit his creative vision to his personal world and did not pollute himself with decadence; on the contrary, his poems and articles always focused on political affairs, the border wars, and the feelings of the people in the townships, recorded real events in a resolute style, expressed the public opinion in simple language, wrote with an impartial heart, and dedicate his property to solve the difficulties of his hometown. Mei Zhihuan’s poems, ar-ticles and the spirit are a bell-like cry in the chaotic world of the late Ming Dynasty.
[1] | 凌礼潮. 梅中丞遗稿[M]. 武汉: 华中师范大学出版社, 2019: 153. |
[2] | 凌礼潮. 梅中丞遗稿[M]. 武汉: 华中师范大学出版社, 2019: 156. |
[3] | 凌礼潮. 梅中丞遗稿[M]. 武汉: 华中师范大学出版社, 2019: 172. |
[4] | 凌礼潮. 梅中丞遗稿[M]. 武汉: 华中师范大学出版社, 2019: 159. |
[5] | 凌礼潮. 梅中丞遗稿[M]. 武汉: 华中师范大学出版社, 2019: 155. |
[6] | 凌礼潮. 梅中丞遗稿[M]. 武汉: 华中师范大学出版社, 2019: 167. |
[7] | 凌礼潮. 梅中丞遗稿[M]. 武汉: 华中师范大学出版社, 2019: 7. |
[8] | 凌礼潮. 梅中丞遗稿[M]. 武汉: 华中师范大学出版社, 2019: 60. |