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陈献章“和陶诗”论略
On Chen Xianzhang’s “Harmony and Tao Poetry”

DOI: 10.12677/WLS.2022.102031, PP. 197-206

Keywords: 陈献章,和陶诗,田园生活,宗法自然
Chen Xianzhang
, Harmony and Tao Poetry, Pastoral Life, Patriarchal Nature

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Abstract:

陈献章对陶渊明极为推崇,无论是诗歌题材还是艺术风格,都深受其影响。《陈献章集》中直接标明“和陶”之作,有十二首。陈献章的一生和陶渊明经历相似,在其“和陶诗”中体现着和陶渊明诗歌主题、意象选取的相似性,表达着对田园生活的热爱和对亲情友情的眷恋。“和陶诗”充分体现出陈献章以情入诗、以陶入诗、以理入诗的艺术特色。在诗学方面,“和陶诗”体现出陈献章“自然”“自得”之学。在哲学方面,“和陶诗”表现出陈献章虚心静坐的心学思想。
Chen Xianzhang highly praised Tao Yuanming and was deeply influenced by his poetry theme and artistic style. There are twelve works directly marked “Harmony and Tao” in the collection of Chen Xianzhang. Chen Xianzhang’s life is similar to Tao Yuanming’s experience, and his “Tao Poetry” reflects the similarity with Tao Yuanming’s poetry theme and image selection, and expresses his love for rural life and attachment to family and friendship. “Harmony and Tao Poetry” fully embodies the artistic characteristics of Chen Xianzhang’s poetry with emotion, Tao and reason. In terms of poetics, “Harmony and Tao Poetry” reflects Chen Xianzhang’s theory of “nature” and “complacency”. In terms of philosophy, “Harmony and Tao Poetry” shows Chen Xianzhang’s thought of sitting quietly with an open mind.

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