作者生成理论视角下约翰？多恩入世又出世的写意人生
An Interpretation of John Donne’s Mundane and Transcendent Life from the Perspective of Author Generative Theory

约翰？多恩被认为是十七世纪最伟大的英国诗人之一，玄学派诗歌的杰出代表。多恩的作品以强烈的感情、突兀的形象、诡辩的逻辑而闻名，大致可以划分为下列几类：爱情诗歌、讽刺诗歌、宗教诗歌和布道文等，其中最著名的是他创作的爱情诗歌以及宗教诗篇。作者生成论研究作者的生成与成长，并将真实的作者置于现实情境中进行分析。作家的经历和思想构成作品的底色，多恩诗学创作的转变与其宗教信仰的转变紧密相连。以1615年改信国教为界，多恩的前半生积极入世、游戏人生，后半生淡然出世、向死而生。文章旨在从作者生成理论视角出发，从外部环境和内在成长规律两个方面解读多恩入世又出世的写意人生。
John Donne is considered to be one of the greatest British poets in the seventeenth century and an outstanding representative of Metaphysical Poetry. Donne’s works are known for intense emotion, abrupt imagery and paradoxical logic. They can be roughly divided into the following categories: love poetry, satirical poetry, religious poetry and sermons. The most famous of which is his love poetry and religious poetry. Author Generative Theory studies the formation and growth of the author and puts a real author into a real situation for analysis. The author’s experiences and thoughts constitute the basic tune of work, and the transformation of Donne’s poetic creation was closely related to the transformation of his religious faith. Taking the conversion to Anglicanism in 1615 as a boundary, Donne actively participated in mundane life in the first half stage of his life. After 1615, Donne led a transcendent life and held a transcendent view of death. This paper aims at adopting the perspective of Author Generative Theory to interpret John Donne’s mundane and transcendent life from two aspects of external environment and the internal law of growth.