后现代主义视阈下解读《狼蛛》的艺术游戏性
An Analysis of Artistic Games in Tarantula from the Perspective of Post-Modernism

鲍勃？迪伦富有争议的后现代主义实验诗集《狼蛛》以独特的戏谑方式书写了二十世纪六十年代美国社会的混乱图景，在表现宏大社会主题的同时呈现出明显的游戏倾向，充分诠释了迪伦的游戏观并体现了其自我隐匿的风格。通过一系列艺术游戏，《狼蛛》隐晦地表达了人类生存的焦虑、恐惧与相互隔膜，契合了后现代生活以及后现代社会人类思维的不确定性。作为鲍勃？迪伦问世作品中的唯一一部诗集，《狼蛛》披露了迪伦的内在自我，诗集中的艺术游戏反映了迪伦对于自我精神世界的探索，解读《狼蛛》的艺术游戏性对鲍勃？迪伦研究具有重要参照价值。
Tarantula, a controversial and experimental collection of post-modern poems of Bob Dylan, has painted a chaotic view of American society in the 1960s in a unique and playful way. While dis-playing grand themes, Tarantula shows a clear trend toward artistic games, which interprets Dylan’s view on games and reflects his style of self-concealment. Through a series of artistic games, Tarantula obliquely expresses the anxiety, fear and distance in human existence, in line with the uncertainty of post-modern life and human thought in post-modern society. As the only poem collection of Bob Dylan, Tarantula discloses Dylan’s inner self and the artistic games in it reflect Dylan’s exploration of his spiritual world. Interpretation of the artistic games of Tarantula has important reference value for Bob Dylan research.