风骨与意气：主旋律叙事中的东方美学——以《永不消逝的电波》为例 Vigor and Mood: Oriental Aesthetics in the Main Melody Nar-rative—Taking “The Electric Wave That Never Dies” as an Example
王苹作为新中国初期第一位女导演，在影片《永不消逝的电波》中对电影空镜头的隐喻、蒙太奇手法设计以及音乐修辞的运用蕴含独特的东方美学气质，使得影片本身在讲述一位抗日英雄事迹的同时，又透露出别样的“诗化”气质，展现出极高的思想性与艺术性，为政治影像的创作提供了极具东方特色的美学范式。
As the first female director in the
early days of New China, Wang Ping’s use of the film’s empty shot metaphor,
montage design and musical rhetoric in the film \"The Electric Wave That
Never Dies\" contains a unique oriental aesthetic temperament, which makes
the film itself telling the deeds of an anti-Japanese hero, it also revealed a
different kind of “poetic” temperament, showing extremely high ideological and
artistic qualities, and providing an aesthetic paradigm with oriental
characteristics for the creation of political images.
