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Study on Giuseppe Castiglione, a Court Painter in the Qing Dynasty

DOI: 10.4236/jss.2021.99014, PP. 193-203

Keywords: Chinese and Western Painting, Lang Shining, Giuseppe Castiglione, Traditional Meticulous Painting, Practical Significance

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Abstract:

At all times and in all countries, exchanges between China and the west are always a constant topic. From the Qing Dynasty Lang Shining Chinese and Western painting, a new form of painting Chinese painting formed after absorbing some of the characteristics of Western painting. In this paper, through the comparison and research between painting and Chinese traditional meticulous painting subjects Chinese and Western Qing missionaries painter Lang Shining, to explore the characteristics of Lang Shining new body painting and realistic significance to modern fine brushwork of Chinese and Western fusion.

References

[1]  Chen, S. N. (2007). A Comparative Study on the Concept of Form and Spirit in Chinese and Western Paintings. Oriental Publishing House.
[2]  Kong, X. M., & Zhang, P. (2002). Comparison of Chinese and Western Arts. Shandong Pictorial Press.
[3]  Nie, C. Z. (1995). Foreign Painters in the Qing Dynasty and the Change of Palace Painting Style. Art Research, Issue 1.
[4]  Nie, C. Z. (1999). Court Painting in the Qing Dynasty. Shanghai Science and Technology Press.
[5]  Su, L. Q. (1998). Biography of Giuseppe Castiglione. China Literature Press.
[6]  Yu, J. H. (2007). Xuanhe Painting. Jiangsu Fine Arts Publishing House.
[7]  Zhang, G. H. (2010). A Study of Giuseppe Castiglione’s Figure Paintings during the Reign of Emperor Qiaolong. Zhejiang University of Technology.

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