THE SEARCH FOR AESTHETICS AND POLITICS IN PASOLINI MOVIES

Abstract Pasolini’s cinema can be examined with political, historical and ideological point of views from the first film to the last film. He also inspired subsequent filmmakers with his art and style. It’s important that Pasolini style and his own ideology combined with a strong aesthetic. Although his cinematography is not involved to the system with his extraordinary and poetic film language, it still has very important place in common cinema history. This article explores that Pasolini’s cinema and his own style on film art and how the director tell stories with an individual way of aesthetic and politic perspectives