The Other Character In Turkish Cinema: Otherness ？n ü？üncü Sayfa

The invidual, who stays is forced to stay out of quantitative majority and repressed to otherness by psychological and physical abuse, is represented in the extreme of Turkish independent cinema. Remaining the character from the center of the frame and positioning to the edges, clinching the story together with angles and colours play on important role in representing the other. These metods, which are referred for providing perceptual integrity, are formed for the purpose of directing and manipulating audience’s glance to the other. From this point of view, the imagination of otherness, which is highly represented in Turkish independent cinema, also serves the audience pleasure. Here in, Demirkubuz drags the camera to the dark streets, hotels, collapses with the invidual in transferring the characters that are stuck on the frame and their own world. His film, ü？üncü Sayfa, narrates otherness via characters positioned in the story and becomes one of the most important fillms in Turkish independent cinema. The study aims to analyze the characters of ü？üncü Sayfa in the context of otherness by descriptive analysis