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-  2018 

DESIGN AS A COUNTER-SUBJECTIVITY [RE-SUBJECTIVITY] PRACTICE

Keywords: ?znele?tirme,?znellik,ele?tiri,ortam (milieu),tasar?m

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Abstract:

Design is understood as a productive activity related to space and objects as the subjects of architecture and as the process of engaging in this activity. Therefore, design practice is discussed as problematizations of objects. However, the spatial construction of cities as the milieu of modern people is created not as an external intervention, but by the individual or social practices of subjects. Therefore, questions about the object cause questions about the subject, so it is necessary to evaluate the relationship between the subject and the city. The problematic of this article, which is an attempt to determine the possibility/impossibility of the production of a “new” experience is related to the subject in modern urban conditions. How can individuals who can have very different attitudes depending on value systems reproduce a spatial set of tendencies repeatedly? In this context, the aim of the article is to approach creative design as a critical practice by focusing on subject and object/urban relationality in opposition to practices acting as norm[al]. The article is based on Michel Foucault's theory of modern subjectification related to the question “how?” Design, approached as an experience within the context of subjectification, is associated with the production of a special kind of existence along with “critical attitude” defined as a practice for historical boundaries by Foucault. In this framework, design is considered as the practice in which this critique becomes reality. This critical practice is conceptualized as “counter-subjectivity”. In this article, “counter-subjectivity” meets a critical practice related to historical normative boundaries. In order to demonstrate the possibility of feasibility of this practice, it is initially necessary to develop ideas about the production of historical normative boundaries. In this framework, modernity is considered a paradox[1] in which it is at the center of the subject that the article has progressed gradually through two axes of “subjectification” theory: subjectification (the production of boundaries) and subjectivity (the criticism of boundaries). First, the determination of subjective experience historically includes the production of normative boundaries and their penetration into human life and value systems, which is related to Foucault's analysis of “governmentality” and “power relations.” In the article, the concept of power is a totality of relationships, including the correlative relationship between people and object/space. In this context, the urban milieu is revealed as the

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