Dynamism of Love in Mehmet Rauf’s Novel Halas

The concept of love has two types of temporal reflection area regarding the aesthetic level of literary works. Love as the first type, does not change from the beginning to the end of the aesthetic level, or only goes through a quantitative change and does not have a deviation in its “object” (individual, homeland, or a transcendental being). This type of love is called static love. Second type of love has a qualitative change on the aesthetic level by changing its object as well, therefore love gains dynamism. This type of love is called as dynamic love. Generally, static love is seen in asthetics level of poetic texts in which change phenomenon is not found; dynamic love is seen in asthetics level of narrative texts in which change phenomenon is principal object. Also, direction of dynamic love is from individual (or sexual) love to divine love or love of country. Specially, dynamic love is seen on literary works that constituted around religious discourse or that is penned in liberation periods of country. In these works, we discuss the embodiment of dynamic love in fiction by analysing love phenomena in Mehmet Rauf's novel Halas