VIRTUOSITY IN TURKISH MUSIC: EXAMPLE OF “TANB？R？ CEM？L BEY” AND DERYA TüRKAN WITH THEIR INSTURMENT CLASSIC KEMANCHA

Virtuosity is concept its boundaries are not certain like many social science concepts. Furthermore, virtusity is commented once again in time and under new circumstances. But virtuosity in music is very efficient analytic instrument in understanding of the relationship between socical processes and execution. With the help of he modernism, in the end of 19. century and at the start of 20. century individualization of instrument players and concept of virtuosity started to show themselves with effect of westernization and modernization in Ottoman Empire. With the effects of republic period music policies both virtuosity phenomenon and virtosity as a concept grew in importance and gained ground in Turkish Music. With the roughly time difference of one age “Tanb？r？ Cemil Bey” ve Derya Turkan having grueling execution relatively. are prominent virtuosos about executioning classic kemancha. This work aims to explain virtuosity concept in Turkish Music, continuity and alteration in this concept on the examples of “Tanb？r？ Cemil Bey” and Derya Turkan