Position Recommendations for Saint-Saens’ Op.168 Sol Major Bassoon and Piano Sonata

This article includes an alternative solution to the difficult finger positions of the bassoon in op.168 Bassoon and Piano Sonata, one of Camille Saint-Sa？ns’ most important works for that instrument. In addition, the structure of the work will also be examined. Bassoon players have a high risk of making mistakes when they play using common finger positions, especially when difficult positions in the 3rd octave transition are played. The facilities in the positions shown in this article considerably reduce likelihood of error. The aim of this article is to present some alternative positions that may occur from above difficulties. This article tells the importance of op.168 Bassoon and Piano Sonata, why was it written in the last year of his life, where was it written, and to whom it was dedicated. In the literature review, books related to the subject were examined. Suggested finger positions can be applied not only in this sonata but also can be used in many other difficult pieces, especially in fast passages in orchestra solos