Istantanee. Note su ？fotografia？ e ？tempo？ a partire da La Jetée di Chris Marker

La Jetée (1962) is a Chris Marker movie composed by still images, photographs, with the exception of a very short sequence. The paper aims to account for the experience of temporality induced by photography, framing the structural analysis of the movie in a phenomenological horizon, in particular with regard to the Husserlian’s notion of “Living Present”