“三化论”视域下的夏目漱石《心》汉译本——以杜勤译本为中心 The Chinese Translation of Natsume Soseki’s “Heart” from the Perspective of “Principle of Three Transformations”—Focusing on Du Qin’s Translation
用翻译理论指导翻译行为已屡见不鲜，在各种翻译理论的辅助下，翻译行为得以在各国间顺利展开。本文以许渊冲主张的“美化之艺术，创优似竞赛”翻译理论中的方法论原则，即“三化论”为研究视域，以夏目漱石的《心》之杜勤译本为主要研究文本，通过文中例句分别对“三化”进行分析解释，探究其在文学翻译中体现的作用，以期能够为译者提供不同的翻译视角。
It is not uncommon to use translation theory to guide translation behavior. With the help of various translation theories, translation behavior can be smoothly carried out among countries. This paper takes the methodological principle in the translation theory of “Beautification is the art and creation resembles the rivalry” advocated by Xu Yuanchong, that is, the “Principle of Three Transformations” as the research perspective, and takes Duqin’s translation of Natsume Soseki’s “Heart” as the main research text, to analyze and explain the “Principle of Three Transformations” from the sentence examples in the text, and explore their role in literary translation, hoping to provide different perspectives on translation for translators.
