National and folk chess games are an important part of Chinese traditional culture. From the perspective of intangible culture, it is difficult to analyze the principles and cultural characteristics of “Jiu” chess, especially its basic principles and methods. The study of the history of the “Jiu” chess, the basic steps and the graphic formation of the move, and the value and function of the “Jiu” chess in the contemporary era can better explain the new value of the intangible cultural heritage culture.
References
[1]
Ma, S. H. L., & Shang, T. (2017a). Inheritance and Protection of Tibetan Chess Culture. Tibet Studies, 4, 157-160.
[2]
Ma, X. M., & Shang, T. (2017b). A Comparative Study of “Mi Mang” and “Jiu” in Tibetan Chess. Journal of Qinghai University for Nationalities (Social Science Edition), 43, 126-131
[3]
Ma, Z. H. Y. (2020). Tibetan Chess Can Be Played Like This. Haidong Times, 8, 1-2.
[4]
Sun X. (2018). Investigation and Research on the Current Situation of Tibetan Chess Education in Primary and Secondary Schools and the Development of Micro Courses. Beijing: Minzu University of China.
[5]
Zhala D., & Zaxi D.Z. (2007) The Witness of Tibetan Chess Culture: An Academic Report on the Tibetan Stone Chessboard Found at the Jiulin Palace Site in Qiangbamin. Tibet Studies, 2, 37-41.
