从语言的三个平面浅析“可盐可甜”
Analysis of “Ke Yan Ke Tian” from the Three-Dimension Theory in Grammar Study of the Language

本文尝试从三个平面来分析网络流行语“可盐可甜”的语义以及句法功能等，并对“可盐可甜”这一网络流行语进行评析。从语义上看，网络流行语“可盐可甜”中的“盐”在不同文化中的内涵和象征影响了它在不同文化圈中的隐喻义；从句法平面来看，“可盐可甜”属于缩略语构词。用法上大致相当于一个形容词，具备形容词的某些语法特征，在句中主要做定语、谓语，有时也作主语、宾语。受内在程度语义和语义的正面积极性的影响，不可受程度副词和否定副词的修饰；在语用方面，“可盐可甜”具有娱乐化和创造性的特点，其创造性体现了语言的类推原则。
This paper attempts to analyze the semantics, syntactic, and pragmatic functions of the network buzzword “ke yan ke tian” from Three-Dimension Theory in grammar study area, and evaluates the usage of “ke yan ke tian”. Semantically, the connotation and symbol of “yan” in the network buzzword “ke yan ke tian” in different cultures affect its metaphorical meaning in different cultural circles. From the syntactic dimension, “ke yan ke tian” is an acronym, whose grammatical function is roughly equivalent to an adjective, mainly used as an attribute, predicate and sometimes as a subject and object. It can not be modified by degree adverbs and negative adverbs influenced by the internal degree semantics and positive enthusiasm of semantics. In terms of pragmatics, “salt can be sweet” has the characteristics of entertainment and creativity, and its creativity embodies the analogy principle of language.