从“声景”思考传播：声音、空间与听觉感官文化
Thinking Communication from Soundscape Theory: Sound, Space and Auditory Culture

摘要 受限于视觉性的思维框架，以声音媒介及其使用为议题的传播研究倾向于关注社会 情境中人对声音内容的接受过程，将具有空间性的声音压缩到平面世界来讨论，忽略了 声音环境本身的形塑、声音的空间性以及它与人类感官的互动。而声音景观研究则从空 间与听觉者的感官经验出发来考察声音环境，以及经由人的听觉方式（包括解读声音文 化意义的能力和听觉的涉身倾向）而在内心形成的对此声音环境的印象。声景研究将声 音视作一种直接跟身体感官互动的环境，而非仅是内容的承载者。声景与听觉方式呈现 出某一时期特定的权力关系与物质技术特征。通过考察更广泛空间中的声景，能够拓展 与联系各个声音媒介的传播情境/场所，洞见它们之间的位置安排与权力关系。
Framed by visualized thinking patterns, communication studies on sound media and their usage tend to investigate the process of listeners consuming and accepting sound content in social contexts, thus rendering sound of spatiality into a two-dimensional world. These studies generally neglect the shaping of sound environment and its interaction with human senses. In contrast, the theory of soundscape based on space and the listener’s experience explores the shaping of the sonic world around and the impression of that created by “listening patterns” which includes the potentiality of reading the meanings conveyed by sound and a certain kind of embodied aptitude trained by the very soundscape. Soundscape theory considers sound as an environment that interacts directly with human sensorium, not only conveyor of content. Soundscape and listening patterns present the particular power relation and the characteristics of material, technological condition of a certain period. By investigating soundscape in a broader space, we can connect different sites/contexts of relatively small scale where communication activities happen, and examine the spatial arrangements between these sites, as well as the power relation behind