诗学论著与中国诗歌理论现代性的建构
Poetics and Construction of the Modernity of Chinese Poetry Theory

摘要 对1920－1949年期间公开出版发行的中国现代诗学论著进行挖掘与梳理，有着较强的新诗史料意义，可以总结中国现代诗歌理论具有普遍性的诗学问题。整体来看，这些诗学论著体现出探求诗歌理论现代性的意图，其中讨论较多的，一是新诗与旧诗的关系，一是“纯诗”与“大众化”的分化。新诗与旧诗的区别，主要在于是否具有现代性；“纯诗”与“大众化”的分化，则是对新诗具有何种现代性之问题的回答。1940年代后期，朱自清、袁可嘉等的诗学理论显示出更为自觉与综合的现代性意识，超越了“纯诗”“大众化”的二分法，同时为1980年代之后诗歌理论的现代性建构提供了基础。
Abstract：Excavating and combing the modern Chinese poetics published during the period from 1920 to 1949 has a strong historical significance for modern poetry. It can sum up the universal poetics of Chinese modern poetry. On the whole， these poetic writings reflect the intention of exploring the modernity of poetic theory. Among the poetic writings there are two focuses. One is on the relationship between new poetry and old poetry， and the other is on the differentiation between “pure poetry” and “popularization”. The difference of new poetry from old poetry lies in whether it is modern or not. The differentiation between “pure poetry” and “popularization” is the answer to the question of what kind of modernity new poetry has. In the late 1940s， the poetic theories of Zhu Ziqing’s and Yuan Kejia’s showed a more conscious and comprehensive awareness of modernity， which surpassed the dichotomy of “pure poetry” and “popularization”， and provided the basis for the modernity construction of poetic theory after the 1980s.