看与被看的视觉逻辑——关于中国当代艺术史的写作范式与问题探讨
The Logic of Viewing and Being Viewed： On the Written Paradigm and Problems on Chinese Contemporary Art History

摘要 中国当代艺术经历了三十年的发展，如何书写它的历史已成为当下学界热切关心的话题。艺术批评家率先出版了诸多不同时代分期的“中国当代艺术史”，但这些著作在那些视名家名作、风格流派及黑格尔美学原则为写作要义的学院艺术史家来看，则史味阙如。本文从文本批评的角度，梳理其中以“史”为名的关于中国当代艺术的著作，探讨其中存在的问题以及可能的写作范式，以参与到对中国当代艺术史书写热潮的讨论中。
Abstract：The Chinese contemporary art has experienced 30 years of development. How to write its history has become a spotlight of concern in the current academic circle. Art critics have taken the lead in publishing the histories of contemporary Chinese art focused on different period of time， which may be of little historical significance for those professional art historians who serve in academies and respect honorable works， styles and schools， and Hegelian aesthetic principles and regard them as the principles of writing. From the perspective of textual criticism， this paper collates the works on Chinese contemporary art with the title of “history”， discusses the existed problems and possible written paradigm， to participate in the upsurge of the discussion of the writing of Chinese contemporary art history.